Kamis, 06 November 2014

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Kazuto Kirigaya ist ein begeisterter Online-Spieler. So ist er natürlich unter seinem Pseudonym Kirito auch mit an Bord als das erste VRMMORPG online geht, in dem die Spieler dank eines speziellen Interfaces komplett mit dem Spiel verschmelzen. Doch nach dem Start müssen die 10.000 teilnehmenden Spieler feststellen, dass es nur einen Weg aus dem Spiel heraus gibt: Erst wenn alle 100 Ebenen der Welt Aincrad bezwungen sind, können sie sich wieder aus dem Spiel ausloggen. Doch auf dem Weg dahin, bedeutet ein »Game Over« immer auch den ganz realen Tod der Spieler ...

  • Sales Rank: #1760504 in eBooks
  • Published on: 2015-07-13
  • Released on: 2015-07-13
  • Format: Kindle eBook

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SuperMutant Magic Academy, by Jillian Tamaki

Unrequited love, underage drinking, and teen angst rule at a high school for mutants and witches

The New York Times and New Yorker illustrator Jillian Tamaki is best known for co-creating the award-winning young adult graphic novels Skim and This One Summer―moody and atmospheric bestsellers. SuperMutant Magic Academy, which she has been serializing online for the past four years, paints a teenaged world filled with just as much ennui and uncertainty, but also with a sharp dose of humor and irreverence. Tamaki deftly plays superhero and high-school Hollywood tropes against what adolescence is really like: The SuperMutant Magic Academy is a prep school for mutants and witches, but their paranormal abilities take a backseat to everyday teen concerns.
Science experiments go awry, bake sales are upstaged, and the new kid at school is a cat who will determine the course of human destiny. In one strip, lizard-headed Trixie frets about her nonexistent modeling career; in another, the immortal Everlasting Boy tries to escape this mortal coil to no avail. Throughout it all, closeted Marsha obsesses about her unrequited crush, the cat-eared Wendy. Whether the magic is mundane or miraculous, Tamaki's jokes are precise and devastating.
SuperMutant Magic Academy has won two Ignatz Awards. This volume combines the most popular content from the webcomic with a selection of all-new, never-before-seen strips that conclude Tamaki's account of life at the academy.

  • Sales Rank: #103545 in Books
  • Published on: 2015-04-28
  • Released on: 2015-04-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.55" h x 1.02" w x 6.31" l, 1.00 pounds
  • Binding: Paperback
  • 224 pages

From School Library Journal
Gr 9 Up—This quirky solo work from Caldecott- and Printz-winning graphic novelist Tamaki collects strips from her long-running webcomic about a school for mutants and witches into one mostly cohesive anthology. Riffing off popular phenomena, such as Harry Potter and the X-Men, this title sets teen angst-y situations in a world populated with cat-eared prom queens, the Everlasting Boy, and superpowered jocks. Most of the strips are a page-long, with the exception of the never-before-seen 40-page story arc that concludes the series. While at times these snippets may confuse readers because of their brevity and often weighty existential themes, these snapshots often center on the same cast of characters, each of whom teens get to know more deeply by the book's end. The mostly black-and-white art is divided in a range of single, full-page to six panels, and rare bursts of color are deftly used to moving effect. Marsha, the misanthropic witch with a crush on her female best friend; Frances, the boundary-pushing artist; and Cheddar, the athlete trying to find the meaning of life, among others, stand out as the more fully developed protagonists, but readers will find bits of themselves in many of the realistic characters. Poking fun at the "Chosen One" mythos, Tamaki has created a stellar graphic novel that combines her slice-of-life expertise and clean, uncluttered art style. VERDICT A must-have volume reminiscent of Alan Moore's Watchmen (DC Comics, 1987) and her and Mariko Tamaki's This One Summer (First Second, 2014) in sensibility and Raina Telgemeier's works in appearance.—Shelley Diaz, School Library Journal

Review

“Tamaki's sense of comedy and pacing owes a lot to Charles Schulz's "Peanuts," although her subject matter is decidedly less innocent. And she delights in breaking her own rules: Her artwork is black-and-white except when she throws in impish splashes of color, drawn with broad, rough brush strokes except when it's composed of felt-tip scribbles or shimmering digital gray.” ―New York Times

“SuperMutant Magic Academy... exudes an irresistible wit.” ―The Guardian

“This collection is a great read for comic fans and genre newbies alike.” ―Bust Magazine

“[SuperMutant Magic Academy] is smart, thoughtful, and too hilarious to gobble down in just one sitting.” ―Bitch Magazine

“When it comes down to it, this is one of the best books... of any kind to come out in a long time.” ―Autostraddle

“The humor [in SuperMutant Magic Academy] is sometimes slapstick, but more often it offers ultra-dry observations on modern disengagement. Tamaki is playful and loose with her art, unafraid to be experimental as she draws us into a world where true feelings are the greatest danger.” ―Publishers Weekly Starred Review

“Though Tamaki's black and white panels shift from detailed and realistic to dreamy and atmospheric and back again, she consistently and expertly captures subtle emotion and subtext with only a few strokes of the pen. [SuperMutant Magic Academy is] simultaneously heartbreaking and hilarious.” ―Booklist Starred Review

“SuperMutant Magic Academy will reassure teenagers that high school is a weird place, even for humans, and will remind adults that it is an experience we never really outgrow.” ―Winnipeg Free Press

About the Author

Jillian Tamaki is a Canadian illustrator and cartoonist living in Brooklyn, New York. Her illustrations have won gold medals from the Society of Illustrators and the Society of Publication Designers. Tamaki is the co-creator of the graphic novel Skim, which was listed as a New York Times Best Illustrated Book of 2008 and was nominated for four Eisner Awards and a Governor General's Literary Award. This One Summer, her second co-authored work with Mariko Tamaki, was published in mid-2014 and spent more than a month on the New York Times bestseller list. Her two books of personal work are Gilded Lilies and Indoor Voice.

Most helpful customer reviews

10 of 11 people found the following review helpful.
One of The Best Comics of the year
By Meesimo
Excellent and fun "graphic novel" collection of the awesome web/tumblr comic strip. A wonderful glimpse into a magical yet wholly familiar world.
Loosely, yet expertly crafted lines, and fluid storytelling. Perfect one page at a time, or in longer sittings, often hilarious, with healthy doses of poignancy and ennui.
If you enjoy Hark a Vagrant, or Harry Potter, or Adventure Time, or just excellent things in general, get this ASAP for your eyeballs.

2 of 2 people found the following review helpful.
Super Beautiful Read
By WriteOn
Haven't splurged on graphic novels in like a decade. Review on NPR drew my attention and immediately it went to my wish list. Then I gifted it to myself for surviving my son's fourth grade year at school. Worth it. Poignant observations of life.

2 of 2 people found the following review helpful.
Puberty Party Mix
By ZuluQueen
Deadpan, angsty, and socially aware “Suptermutant Magic Academy” is a collection of hundreds of smaller stories about a group of otherworldly teens. It has all the nihilism of “Pearls Before Swine” and the whimsy of “Calvin and Hobbes,” but with swear words clearly written out and a wavering fog of gloom.

Readers hoping for spell after spell will be disappointed. “Academy” takes place in a magical high school. But the characters are just like any other set of young adults: pining, whining, resigning.

Most of the stories take up no more than a single page. They’re sketches of the lives of Marsha, Wendy, Cheddar, Frances, Everlasting Boy, and their classmates. Every couple of panels ends in a slick punchline, before switching over to an entirely different train of thought. Marsha & Co. struggle with the idea that they need to cherish the present day they will eventually be nostalgic for. But like any other set of adolescents, they won’t realize it until after the book ends.

The illustrations are clean-cut, the jokes at once sharp and tender. SMA feels like eating one slice of a very intriguing combination pizza and being unable to get seconds.

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Rabu, 05 November 2014

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Fundamentals of Risk Management: Understanding, Evaluating and Implementing Effective Risk Management, by P. Hopkin

  • Published on: 2010
  • Binding: Paperback

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  • Published on: 1609
  • Binding: Hardcover

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Jarvis the Sorcerer's Apprentice tells the tale of Jarvis as hequests through a fantasy world facing unknown dangers and growing up along theway.

  • Sales Rank: #4405306 in Books
  • Brand: Brand: Fantasy Flight Pub Inc
  • Published on: 2010-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.50" w x 5.50" l, 1.95 pounds
  • Binding: Hardcover
  • 608 pages
Features
  • Used Book in Good Condition

Review
Jarvis: The Sorcerer's Apprentice brings us a fresh and exciting new direction in fantasy. Jasper Ejsing makes a bold, strong entry into epic storytelling. --Tracy Hickman, co-author of the acclaimed Dragonlance series

About the Author
Jasper Ejsing has illustrated books for many years and has written several roleplaying game books. Jarvis is his first novel.

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1 of 1 people found the following review helpful.
Great Read
By zonbi ant
An excellent fantasy novel. Written in a simple engaging style rich in gritty details, and light on flowery obsequious fluff. Failing to stop casting your inflammatory spell on your hand after it's lost protective warding is bad. We saw the characters in their day to day lives and studying magic, but didn't belabor the thread count of tapestries. The system of magic, though not delved into in depth was presented approachably. A eldritch language guided by force of will and innate prowess.The characters were stereotypical but still interesting and entertaining in how they overcame their troubles. I thought about giving it a 4 just because it couldn't think of a crowning moment, but I can't deny being held rapt by the story through its entirety. Give it read, and in a couple pages hopefully you'll be hooked as I was.

0 of 0 people found the following review helpful.
Love the book
By Rednckmama
It arrived quickly and my son loves the book. Definitely a good buy! I hope to find more books. In the future from yall

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Metaphysics: Contemporary Readings: 2nd Edition (Routledge Contemporary Readings in Philosophy)From Routledge

Metaphysics: Contemporary Readings is a comprehensive anthology that draws together leading philosophers writing on the major themes in Metaphysics. Chapters appear under the headings:

  • Universals
  • Particulars
  • Modality and Possible Worlds
  • Causation
  • Time
  • Persistence
  • Realism and Anti-Realism.

Each section is prefaced by an introductory essay by the editor which guides students gently into each topic.  Articles by the following leading philosophers are included:

Allaire, Anscombe, Armstrong, Black, Broad, Casullo, Dummett, Ewing, Heller, Hume, Kripke, Lewis, Mackie, McTaggart, Mellor, Merricks , Parfit, Plantinga, Price, Prior, Putnam, Quine, Russell, Smart, Swinburne, Taylor , Van Cleve, van Inwagen, Williams.

Featuring a new section on causation, this new edition is highly accessible and provides a broad-ranging exploration of the subject. Ideal for any philosophy student, this reader will prove essential reading for any metaphysics course. The sections and selections of readings have been updated to complement Michael Loux’s textbook Metaphysics: A Contemporary Introduction, third edition.

  • Sales Rank: #771565 in Books
  • Published on: 2008-05-09
  • Released on: 2007-01-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.50" w x 6.00" l, 2.05 pounds
  • Binding: Paperback
  • 664 pages

Review

Praise for the First Edition:

'This anthology is clearly exceptionally good."

-Quentin Smith, Western Michigan University

"This anthology has many excellent features: the choice of readings is very good, mixing in an interesting way established and much-anthologised classics with new material.'

- Tim Crane, University College London

About the Author
Michael J. Loux is the George N. Schuster Professor of Philosophy at Notre Dame University, Indiana.  He is the author of Substance and Attribute (1978) and Primary Ousia (1991), as well Metaphysics: a Contemporary Introduction, the third edition of which is also published by Routledge.

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4 of 7 people found the following review helpful.
Good for students
By Matthew Stine
If you're looking for a good anthology of the contemporary debates in metaphysics, this is a good book. It is appropriate for undergraduate philosophy courses and will prove useful to anyone who wants a nice survey of contemporary metaphysical debates. If you're looking for anything above a simple anthology of the debates, look elsewhere. My only complaint is that there is not enough discussion of Quantum mechanics or relativity but those debates get esoteric quickly so I can understand their absence.

3 of 11 people found the following review helpful.
...from the Library of Dr. Pangloss
By Thomas J. Hickey
...from the Library of Dr. Pangloss

Loux is an academic on the faculty of Notre Dame University, which is near South Bend, Indiana. In my personal experience I found the Notre Dame philosophers distressed by the contemporary pragmatic realism that prevails in the literature today. They have a Panglossian belief in rationalism, which I expect has broad-based sympathy in other Catholic philosophy schools. In the final section of this book, as in his previous writings, Loux calls contemporary pragmatism "antirealism." His locution "realism"/"antirealism" are a polemical caricature, a distortion due to a failure to understand the motivating origins of contemporary pragmatism.

Quine is typical of pragmatic realists. His paper "Ontological Relativity" is included in this book. But in his earlier writings Loux rejected Quine's thesis of ontological relativity, which Quine also calls "referential inscrutability", and Loux is unsympathetic to Quine in this book also. Philosophy has been changed in a fundamental way due to the two great revolutionary developments in twentieth-century physics. Both Einstein and Heisenberg practiced ontological relativity. In his Across the Frontiers Heisenberg describes how Einstein construed relativistic space and time realistically, and how he himself then construed his own uncertainty relations realistically.

Here are some basic pragmatist ideas to consider:
(1) Metaphysical realism is the thesis that there exists mind-independent reality accessible to human knowledge. The thesis is literally a prejudice that is neither a conclusion, nor an inference nor an extrapolation. It is primal and is simply accepted, and is probably recognized at the dawn of one's distinction between self and surroundings.

Contrary to Loux's claim, Quine talks explicitly about realism. And he seems quite emphatic affirming what he calls his "unregenerate realism." In "Scope and Language of Science" in his The Ways of Paradox and Other Essays, Revised Edition Quine wrote: "We cannot significantly question the reality of the external world or deny that there is evidence for external objects in the testimony of our senses; for, to do so is simply to dissociate the terms `reality' and `evidence' from the very applications which originally did most to invest these terms with whatever intelligibility they may have for us." In the next sentence he wrote metaphorically further emphasizing the primitive nature of the realist conviction: "We imbibe an archaic natural philosophy with our mother's milk." (p. 516).

Likewise in his The Construction of Social Reality Searle, a realist, maintains that there can be no argument for realism that is not question-begging (p. 184). However, this understanding of the primitive and prejudicial nature of metaphysical realism is incomprehensible to rationalist Notre Dame philosophers like Loux.

(2) Ontology on the other hand consists of the features and aspects of reality that are captured by our descriptive beliefs, and especially by the language of science, which becomes more empirically adequate through growth of experience including scientific development. Ontology is thus reality that is language-dependent for our apprehension. It is direct but not simple. Recognition of ontological relativity means that philosophers and scientists need no longer associate realism with any single privileged ontology, and then reject the realism in past science or common sense.

For example, the famous solar-eclipse experiment of 1919 vindicated Einstein's theory of gravitation over Newton's. Yet today NASA continues to use Newtonian physics to navigate rockets through the solar system, and Newton's theory is still seen as descriptive of reality. Thus the ontology described by Einstein's theory is more realistic than that described by Newton's. Furthermore the pragmatists need not say as Popper does in The Logic of Scientific Discovery (Routledge Classics) that science cannot achieve truth, because as Jarret Leplin can say, Einstein's theory is the truer.

A Notre Dame philosopher, Loux longs for good-old-fashioned traditional metaphysics. He is not of our time. Like the Thomists, Aristotelians are a vanishing breed, and Loux is a cultural atavism. His world is that of his book Primary Ousia and of his several journal articles on Aristotle. I found little evidence that he understands the contemporary pragmatist philosophy of language and of science, the problems that occasioned its development, and how it solves the problems of today.

I found no reference to relativity theory in the section on the topic of time in Loux's book. The section on the topic of causality makes no mention of the issues in the uncertainty relations in quantum theory. In this connection a much more sophisticated and relevant discussion of causality can be found in Hanson's Patterns of Discovery: An Inquiry into the Conceptual Foundations of Science.

The sections on universals and particulars cover his favorite perennial quarrels. Loux calls Quine an "austere" nominalist. But in his autobiography The Time of My Life: An Autobiography Quine denies that he is a nominalist, because he accepts the existence of classes, which he views as a kind of "abstract entity." He accepts the existence of classes, because he could not eliminate them in the logistic reductionist programme. And his famous refrain "To be is to be the value of a variable" does not decide between nominalism and realism. Quine merely believes that it enables expression of one or the other view depending on whether or not one chooses to bind a predicate with a quantifier. He rejects "mental entities", but in his Word and Object (Studies in Communication) he proposes "stimulus meanings", which he says are universal. His nominalism is not easily described as "austere."

Overall I found this 625-page book to be both frivolous and tedious. With ontological relativity much that had formerly been speculative metaphysics has been decided by empirical science. This basically is Quine's "naturalized epistemology" thesis and his rejection of "first philosophy." Thus most of Loux's selections amount to pedantic speculations. Loux's book might offer inconsequential entertainment to some tenured academics. But for more contemporary and consequential philosophy I invite readers to read Twentieth-Century Philosophy of Science: A History.

Thomas J. Hickey

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